Poetry watches film. Film reads poetry. Paolo Javier"s text is a catalyst for the digital sculpting of an 8mm Kodachrome canvas. Syntactical ruptures and the celebration of nouns illuminate twenty-five years of rediscovered film journeys. NYC poet Paolo Javier invited filmmaker Lynne Sachs to create a film that would speak to one of his poems from his newly published book "Court of the Dragon." She asked film artist Sean Hanley to collaborate with her in the editing of the film. Together, they traveled through 25 years of the unsplit Regular 8 mm film that Sachs had shot - including footage of the A.I.D.S. Quilt from the late 1980s, a drive from Florida to San Francisco, and a journey into a very "un-touristic" part of Puerto Rico.